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ART 105H - Lewis - Spring 2025

Welcome!

This library research guide was created to help you with your ART 105H research assignment.

The URL address is: https://libguides.riohondo.edu/art105h_lewis_sp2025

ART 105H: Annotated Bibliography Assignment

Students will create an annotated bibliography in Chicago/Turabian style. Sources must be related to a selected ancient work of art on display at the Getty Villa OR a selected Medieval work of art on display at the Getty Center.

The annotated bibliography must contain:
3 books (post-1990)
3 scholarly articles
1 primary source
1 video
1 museum website essay

 

Caeretan Hydria

Image from Getty Villa (Museum Collection) Website: Caeretan Hydria (Getty Museum)

Caeretan Hydria

520–510 B.C.

Attributed to Eagle Painter (Greek (Caeretan), active 530 - 500 B.C.)

On view at Getty Villa, Gallery 110, The Etruscans

The subject of the figural decoration of this hydria is Herakles and Iolaos slaying the Hydra.
Painted in black figure, the scene occupies the upper register on the body of the vessel between the two side handles. Herakles approaches from the right grasping one of the heads of the nine-headed, bearded Hydra with his left hand and raising his club with his right. Herakles is armored in a corslet and greaves. To his right, a large crab pinches Herakles' heel. Iolaos rushes forward from the left grasping one of the Hydra heads with his left hand and preparing to cut it off with the sickle he brandishes in his right. Underneath Iolaos is a small fire. On the reverse of the vessel, two sphinxes flank the vertical back handle, striding away from the center.

This hydria is one of a small group of painted vases produced at Caere in Etruria. All these vases appear to come from one workshop, which may have employed two artists. Caeretan hydriai display many of the basic elements of Greek vase-painting reinterpreted for an Etruscan market, using a more vivid range of colors and emphasizing the importance of floral ornament in the decoration. They are unusual in that the artist used a template for the floral decoration, a technique not otherwise known in Greek vase-painting.